• Home
  • Reviews
  • Biography
  • Downloads
  • Gallery
  • Gear
  • Links
  • MySpace

» Metal UK UK Review
» Metal Perspective Greek Review
» Tartarean Desire Swedish Review
» Sea of Tranquility USA Review
» LaserCD USA Review
» ProgGnosisUSA Review
» Jan-Mikael's EARS USA Review
» Oblivion Magazine German Review
» From the Cave Italian Review
» Metal Review USA Review
» Metalstorm USA Review
» Harm USA Review
» Live 4 Metal UK Review
» MetalCore Fanzine USA Review
» Metal Only Magazine Swedish Review
» Aardschok Dutch Magazine Review
» Eufonia Spanish Review
» Zero Tolerance UK Review
» Algoblast French Magazine Review
» PowerPlay Magazine UK Review
» Mindview Belgian Magazine Review
» Mindview (Top 10) Belgian Magazine Review
» Radio 666 French Radio Station Review
» Metalfan Dutch Review
» Ars Metallia French Review
» Zware Metalen Belgian Review
» Concrete Web Belgian Review
» Metal Rage Dutch Review
» Pull The Chain Belgian Review
» Spirit Of Metal French Review
» Zica Zine French Review
» Raw Nerve Promotions UK Review
» Metalwave Italian Review
» FishComCollective Belgian Review
» Heavy Metal Universe French Review
» Prog-résiste French Magazine Review
» Metallian French Magazine Review
» Ondalternativa Italian Review


» Sea of Tranquility USA Interview
» Radio 666 French Interview
» Metal Rage Dutch Interview
» Metalfan Dutch Interview
» Rock Hard (pdf) French Interview
» PowerPlay (pdf) UK Magazine Interview
» Prog-résiste (pdf) French Magazine Interview
» Aardschok (pdf) Dutch Magazine Interview
» Underground Investigation (pdf) French Magazine Interview
» Metallian (pdf) French Magazine Interview

Wow!!! This stuff made my jaw drop. Normally I'm not into progressive stuff, mainly experimental, but when the two are combined in a prog-fusion kind of way it seems to rock pretty well. Forget Dream Theater, welcome Linear Sphere!

The album consist of highly complicated compositions that are easier to listen to than one might expect. A fine combination of progressive rock, jazz-fusion and a subtle hint of death metal lead to something truly amazing. Normally I get pretty irritated by progressive music, because it all sounds like they're showing off their skills, raping the whole idea of creating a song that sets off an emotion. These guys have surpassed that border more than decently.

The only thing I'm not too sure about are the vocals. It does sound like James LaBrie (Dream Theater) here and there, only with some emotion in them. He does a lot of mild screaming which fits the music perfectly but doesn't connect with my personal taste. But when I look at it from a sarcastic point of view, I love it! Very weird, I just can't explain it. Furthermore there are a lot of spoken word samples which add to creating intriguing soundscapes.

The solo's are killer! Not only are they faster than the human eye could see, but they're more complicated rhythmically than for instance solo's by Children Of Bodom.

There's not much more to say for me, except that I think this could actually end up in my yearlist. This band has re-opened my eyes for progressive music and perhaps even more jazz-fusion stuff. This is a true masterpiece musically, the vocals are something personal I think. Check this out!

Score: 90%

Review by DemonDust

www.metalrage.com